The Prodigal Son

The Prodigal Son

Evan Lewandowski believes Utah is the next great wine region. Is he right?

August 23, 2016
● 7 min read
The Prodigal Son

The Prodigal Son

Evan Lewandowski believes Utah is the next great wine region. Is he right?

August 23, 2016
● 7 min read
Laurel Friel | Illustration by Justin White

Evan Lewandowski is a really likable guy making really likable wine.  

He hails from Wichita, Kansas. He’s in his early thirties. He’s what most would call religious, but he uses the word "spiritual." He resides in Salt Lake City, Utah, where he moved to attend the University of Utah in 2001, not so much to go to college, but to ski. He probably wouldn’t have ended up in Utah if the Winter Olympics hadn’t been scheduled there for 2002, alerting his high school guidance counselor to the city’s existence. He applied and was accepted without even visiting the campus.  

Fifteen years after college, he’s still in Utah, making wine in a tiny urban winery. He estimates that 99.2% of the wine he produces is made from grapes he harvests in California. After every harvest, he leads a small caravan containing the pressed juice and grapes across Nevada back to Salt Lake City to finish. Despite this, he won’t move to California to make wine. This is strictly because he loves Utah so much. If all goes accordingly, he’ll plant his own vineyard there in the spring of 2017. He has big plans for Utah wine.  

The name of Evan’s winery project is Ruth Lewandowski Wines.  

Ruth Lewandowski doesn’t exist.  

That is, you can’t go to Ruth Lewandowski’s house and ask to speak with her. Ruth Lewandowski is a figment of Evan Lewandowski’s reality – reality, not imagination. He chose the name “Ruth” from the Old Testament’s Book of Ruth, a section of the Bible largely concerned with what Evan refers to as “the ripple effect of death on all of our lives.” It’s a book about death, but Evan doesn’t see it that way. To him, “it’s what the Bible is trying to get at the whole time. It’s the cycle of death that pushes life forward.” Using the same logic, Ruth Lewandowski is a dichotomy. It’s the friction between what is understood to be true and what is real. In many ways, Ruth Lewandowski encapsulates Evan Lewandowski’s interaction with the world around him. It’s a simultaneous act of surrender and defiance.  

It’s maybe a little heavy on the defiance. To make wine in Utah could be considered, in the US domestic wine world, a Sisyphean endeavor. Leaving aside the relative isolation, local social mores surrounding alcohol consumption and the state’s historically chilly liquor laws, the majestic plains of the great Beehive State are not exactly what one pictures when considering a vineyard site. Napa Valley this is not; in general, it gets dry, it gets cold, and it stays cold.  

Usually, when we don’t understand something, we try to foist some kind of meaning on it. When we don’t understand why a person does something against all apparent reason, we call them crazy. Evan Lewandowski is not crazy. So why is he trying to make wine in Utah?

As it turns out, Evan also knows more about viticulture than most wine professionals you encounter. He attended the Walla Walla Institute for Viticulture and Oenology, and while it’s not abnormal for a winemaker to know a lot about what they do, Evan talks about Utah’s soil and climate with the confidence of a guy who knows he’s staring at a stacked deck when everyone else is late to the table.  

“You can say, ‘It’s the soil and climate.’ That’s why a winegrower chooses anything,” he says. “But for me, it’s more than just soil and climate. There’s soil and climate all over the world.” Utah, he insists, is on another level.  

Lewandowski knows this because he’s made wine all over the world. Over the course of six years, he worked in Australia, Napa, Alto Adige, Montalcino, and Argentina. Everywhere he went, the plan was always to work, glean something new, and get back to Utah. Most recently, he was in Alsace, where he worked with Christian Binner, one of the most respected producers in the region. “[Binner] prunes really differently than a lot of other people,” he says. “I wanted to know why and how, and what the benefits were.” Binner offered Evan a job – and rescinded it less than twenty-four hours later.  

“His reasoning was basically like, ‘Look, if you say yes, then that’s gonna pull you away from the dream you have, from the dream you have to go do,’” Evan says. “‘If you say yes, you’re not the guy we thought you were.’ I didn’t even have the chance to say no.”  

Christian Binner isn’t the only one who doesn’t think Evan is crazy. Zev Rovine of ZRS Wines – largely understood to be one of the most forward-thinking import and distribution portfolios in the US – represents Ruth Lewandowski. It’s a relationship that’s come full circle: Zev first met Evan when he applied for a job at The Spotted Frog, the Salt Lake City wine bar Zev happened to run when Evan was in college. Evan was under 21 at the time, so he didn’t get the job, but Rovine hooked him up with an international winemaking internship program to get him going.  

“We only think Utah is a strange place to make wine because of the religious and political climate there,” Rovine says. “Wine only cares about the soil and climate. [Evan has] found a unique microclimate that’s good for the type of wine he wants to make, and in my opinion, I think that’s the right way to be a winemaker. If you’re letting terroir make the wine, then you need to find a terroir that makes the wine you want to make.”  

Evan knows what kind of wine he wants to make: the kind that comes from Boulder, Utah, a town with a population of 222, four hours south of Salt Lake City. This is where he plans to start his first vineyard next year.   

“That’s the Holy Grail for me,” he says. “That’s where I want to set up the rest of my days, farming. That’s where I see myself. Coming up with money on my own, making my own farm there. Making wine from estate fruit.”  

When you ask Evan what it is about a place that looks more or less like a scene from a Roadrunner cartoon, he lets out a low, guttural growl. It sounds vaguely carnal.  

“It’s tough to explain,” he says, but his explanation dives deftly into detail. “Very easily, I could say that the soils are amazing. They’re predominantly sandstone – very interesting profiles of sandstone – very deep, very well-drained sandstone. Beautiful soil. A little bit of shale, a little limestone, a little granite up a bit higher. The climate is absolutely unique for Utah. It’s on the South side of the Eastern slopes of the Aquarius Plateau, the highest wooded plateau in North America. It peaks out around 10,000 feet. They call it the Aquarius plateau because there’s so much water out there. It makes its own weather. You get like 20 inches of rain a year, which is borderline dry farming territory. It’s very special, very unique.”  

It’s oddly enthralling to hear Evan describe the geology of an unknown place in the middle of nowhere. His earnest enthusiasm for the natural composition of the land is charming. Utah’s Tourism Board would be smart to employ his ardor. Before long, it’s clear that it’s not the cold vagaries of soil composition that drives his intense affinity for Boulder, or for Utah, or for winemaking.

“Every minute detail about climate, soil, the degradation of the soil, aspect, exposure… In my mind, that’s not happenstance,” he says. “Everything has been brought to this point right now, not coincidentally.”  

To Evan, the science works because it’s designed to work. The beauty in the natural world is beautiful because it’s meant to be beautiful. It’s this same school of thought that encourages him to make his wines naturally. “These microorganisms are working in harmony to uniformly consistently, efficiently and deliciously degrade grapes into a lower, more stable form. That whole cycle, that’s a program. It’s designed. That’s how the world works. Why would I want to do it any other way?”  

What Evan says with confidence is less obvious in other domestic wine spheres, where adolescent regions continue to lean on technology in uncertain circumstances. “Evan is a wholly unique individual,” says Rovine. “He’s kind and perceptive, but at the same time stubborn and kind of fierce.”  

And although Evan admits that there are disadvantages to being a lone ranger in unknown territory, it’s clear that he thrives a bit on the adversity. He says outright that he feeds on pressure, that he loves a challenge. The role of the maverick underdog is one that suits him well, and whether he’s conscious of it or not, it’s a mindset that seems to find its way into many of his decisions, be it deciding to attend a college in a place he’d never visited or choosing which grapes to plant when his Boulder vineyard is ready in spring of 2017.  

“Riesling, grüner, kerner, zweigelt, côt – cooler climate, leaner, shorter season varieties.” He stops for a moment. “I could jump on the trousseau wagon if I really wanted to, but there’s a part of me that says ‘You can’t do trousseau now, because everyone’s already on it.’ But, it would be really good there.” He’s right; trousseau’s affinity for high elevation and cold make it an ideal candidate for Utah’s uncharted climes. But ideal is obviously not Evan’s style.  

In some ways, though, an underdog is only as loud as his cheering section, and Evan acknowledges that it’s been “a huge boon” to have the natural wine world in his corner as he pushes forward. The open-mindedness he finds in his smaller community suits him. “We have different dogma. It doesn’t revolve around scores, ratings, marble in our tasting room bathrooms.” In his mind, the tight-knit nature of the natural wine world encourage more word-of-mouth recommendations, which consumers trust over critics’ scores and marketing campaigns. It gives him an organic in-road he might miss otherwise. “People say, ‘You have to try this. It’s from Utah, but it’s really, really good.’ So, it’s Utah wine, but why not? Being in Utah isn’t a fault or a flaw – it makes it interesting.”  

Still, after all of the technical, philosophical, spiritual and personal devotion to Utah, there might be a rift in the reasoning: Evan’s singular attempt at making wine from Utah grapes – Riesling he purchased from neighbors – is still in barrel, and his Boulder vineyard has yet to be planted.  

In the most real of realities, Evan has never made a wine from Utah.  

Rovine, who is responsible for explaining this sort of thing to the likes of Patrick Cappiello, who features Ruth Lewandowski wines at Pearl & Ash in New York, shrugs it off. “I don’t have a philosophical issue with moving juice or grapes,” he says. “It’s not that different than moving bottles.” To him, Evan’s goal – to discover new domestic terroir, plant the right grapes in the right place, change our understanding of what is actually possible – outweigh the naysaying.  

What does Evan Lewandowski say? Why doesn’t he do what he’s doing in California, where the process would be holistic, beginning to end?  

“Because that would be easy,” he says. “I want people to know that I’m committed to this place. I want people to be ready. The prelude is to develop this to the point where people are waiting. And I want to be here. Selfishly, I want to be here.”  

He pauses, then inhales sharply. “It’s all part of the plan. I think.”  



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